From left: Jessica Murphy Moo, An American Dream librettist; Mako Nakagawa, Japanese American Citizens Leauge; and Nick Malinowski, Seattle Opera's Community Programs Manager. John Vicory photo |
Seattle Opera's An American Dream is a new opera born out of a simple question: If you had to leave your home today and could only take one thing with you, what would you take? Seattle Opera asked this question to hundreds of people, and two answers led to the creation of an opera set in the Puget Sound during WWII. This new work centers in part around a Japanese American family and their forcible relocation and incarceration.
On June 30, Jessica Murphy Moo, An American Dream’s librettist, and Nick Malinowski, Seattle Opera’s Community Programs Manager, were at Wing Luke Museum of the Asian Pacific American Experience to talk about the opera, and discuss the themes that run through this powerful and important new piece.
On June 30, Jessica Murphy Moo, An American Dream’s librettist, and Nick Malinowski, Seattle Opera’s Community Programs Manager, were at Wing Luke Museum of the Asian Pacific American Experience to talk about the opera, and discuss the themes that run through this powerful and important new piece.
"It was an honor to be invited to participate in this discussion at Wing Luke—and humbling to learn more about this regional history from individuals who lived it," Moo said.
They were joined by guest speaker Mako Nakagawa of the Japanese American Citizens League, and a former incarceree during World War II.
This free and open-to-the-public event was a chance for members of the community to experience this production's powerful music and deeply human story. More important, however, was the opportunity to hold a public conversation around the power of words as it relates to the Japanese American experience during WWII.
One of the strategies employed by the federal government to sell the forced removal and confinement of Japanese American from the West Coast during World War II was the use of euphemistic terms that masked the true nature of what was being done. Japanese American were "evacuated" — as if from a natural disaster or for their own protection — from their homes and sent to "assembly centers" and "relocation centers." - Densho
One of the strategies employed by the federal government to sell the forced removal and confinement of Japanese American from the West Coast during World War II was the use of euphemistic terms that masked the true nature of what was being done. Japanese American were "evacuated" — as if from a natural disaster or for their own protection — from their homes and sent to "assembly centers" and "relocation centers." - Densho
In addition to Nakagawa two other incarcerees in attendance, Mary Matsuda Gruenewald and Lilly Kitamoto Kodama, shared stories from their lives, and answered questions from other attendees.
Photos by John Vicory
Cassie Chinn, Deputy Executive Director at Wing Luke |
Mary Matsuda Gruenewald, one of the two women whose story largely inspired An American Dream. |
More information at: seattleopera.org/americandream
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