Pagliacci climaxes in a show-within-a-show: a performance (which goes completely haywire) of traditional Italian comedy, commedia dell’arte. This ancient theatrical form is perhaps best understood as live-action Looney Tunes. Commedia shows didn’t have much by way of plot. They didn’t use scripts. Instead, stock characters and situations provide a framework for improvised jokes, buffoonery, and rampant silliness. The name commedia dell’arte best translates as “artisanal comedy,” i.e. a bespoke performance, like the kind of cheese sold at a farmer’s market. Yes, they followed a recipe, but it comes out differently each time, that’s half the fun.
.jpg) |
Canio (Diego Torre) and Nedda (Gabriella Reyes) from the 2023 Lyric Opera of Kansas City production of Pagliacci. © Ken Howard |